But ours is a movement that is only half certain where it is marching, and poetry is more often relegated to the “cultural events,” the entertainment segment of feminist conferences, rallies, and meetings, the thing we drop into when the real political work is over. It needs to be more than that, and I am convinced that it will be—when there is a movement demanding that this most sensitive instrument be pressed into the service of a more sweeping analysis and a more definite direction than any we have yet devised.
Lillian S. Robinson, “The Keen Eye… Watching: Poetry and the Feminist Movement”
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